Rose

I, Spy: A Four-Week Writing Group


Writing requires that we take in our surroundings and examine our internal landscape in an attempt to understand, if not solve, the many puzzles and mysteries of being human in a particular moment in time.

This new group was inspired by the teachings of my late teacher, poet and memoirist Deborah Digges. She believed that as someone who wrote, it was her duty to listen hard — in the words of Anne Sexton — and to look closely. She taught me to be a spy in this world: To take notes without being noticed, to observe without disrupting, and to use details from everyday life to infuse our writing with vivid imagery and felt experience.

For a full month, we will practice this together, with gentle guidance and a shared space for our daily discoveries. We will see what it’s like to be invisible — not because the world is telling us we are insignificant, but because this cloak enables us to observe and perceive more keenly. Building on what catches our eye, we will play with writing short scenes. Finally, we will have the opportunity to reflect on our learning and plot out our next steps.

YES, I’LL SPY!

* Choose a payment option from the drop-down box — according to your financial ability.
Contact me with any questions


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Want a little more detail before you commit? Here’s a breakdown of how the group will flow:

WEEK 1: The Notebook

Each day this week, from Monday to Friday, we will forage moments. You assignment during this time will be to to keep a small notebook and pen with you at all times, and to jot down whatever catches your eye.

  • The way a child inches into the crosswalk, two steps ahead of her grown-up
  • The couple at your morning cafe who always sit at the same corner table, not talking
  • The cashier at CVS with a thick accent, who smiles at every customer
  • An elderly man who walks at a glacial pace past your house each day at the same time
  • A hawk circling its prey above the frozen fields
  • A fleeting interaction, tender or terse

No matter what details you notice, you’ll put them into your daily files for later without comment or judgment or extrapolation of any kind. Each day, we will share lists of our collected moments in our secret spies Facebook group. We will practice witnessing, and witness each other witnessing — with nothing more to do.

WEEK 2: The Magnifying Glass

This week is an invitation to comb through last week’s spy notes and observations. Each day, you will bring a magnifying glass to one of the moments that caught your eye during Week 1. Looking even more closely now and using your mind’s eye, what else becomes evident or visible? Working with imaginative details or drawing on lived experience, we’ll share ~ 300 words per day that illuminate more of the moment — not to make a scene as much as to look more closely at what we may have missed at first pass.

WEEK 3: Zooming Out

At the opening of this week, you will choose ONE of your writings from Week 2 and add to it each day, you’ll add to it. By carving out just 10 minutes a day to stay close to your selected moment, you’ll start developing some expertise and encountering more questions about its environs and chapters. We’ll begin to zoom out, but not too much. Jena will offer guiding questions throughout the week.

WEEK 4: The Meta-View

During Week 4, we’ll get meta by observing the observer. Each day we’ll get curious about a particular question that bears significance on how we move through time and space — and what this has to do with our writing + life. We’ll share our discoveries, thoughts, questions and intentions, and give and receive reflective commentary for how to work with these to our creative benefit going forward.

WHO IS THIS GROUP FOR?

This group is open to writers of all genres, as well as those who don’t consider themselves writers but wish to engage in a creative process. An open mind, a spirit of inquiry, and a willingness to be honest and kind with yourself and others are the only requirements. Anyone who loves writing and life and wants to invest in exploring more ways to encounter the world and the page will find themselves right at home in this space.

RECOMMENDED SUPPLIES

  • Notebook
  • Writing utensil
  • Curiosity
  • Invisible cloak and magnifying glass (optional!)

DATES

Monday, February 4 to Friday, March 2, 2018

COST (SLIDING SCALE)

$99/$149/$199*

YES, I’LL SPY!

* Choose a payment option from the drop-down box
Contact me with any questions


Payment Option




* Some scholarship funds are available upon request. Please contact Jena to discuss; nobody will be turned away.

Rose

Writers, Authors, and People Who Write

Photo: Aliis Sinisalu

It’s not at all uncommon for my father to give me a volume of poetry from time to time, usually when I’m stopping by my parents’ house to say hello. A few weeks ago, he handed me a slim but dense collection called On Balance, by contemporary Irish poet Sinéad Morrissey. I keep coming back to a single poem called My Life According to You. I think it’s one of the best titles of all time.

We spend so much time trying to figure out our lives according to others, negotiating rules we didn’t create, and bumping up against systems that shape our very sense of self-worth, usually according to external, quantifiable factors.

“What do you do?” we ask each other, right after “What’s your name?” and perhaps “Where are you from?” If your name is unfamiliar or your skin color difficult to categorize, you might even get an extra special, “Where are you really from?”

If “writer” is your lucky answer to the question of doing, you might be familiar with subsequent questions, such as: “What do you write?” “Have you written any books?” “Do you make a living doing that?” Depending on how you respond, you might be met with a blank look, something like pity, or just a polite smile.

I hear from so many people who write but hesitate to call themselves a “writer.” Why is this?

Maybe we’ve grown attached to the idea that a real writer rises before dawn and writes until noon, then enjoys a simple lunch and takes a walk around the acres surrounding their 1800s farmhouse. Maybe we think real writers must down half a bottle of whiskey every night, collapsing in a post-cathartic heap in the wee hours.

What if ALL writers are –gasp! – regular people?

People who have to read the laundry instructions and remember to defrost the chicken for dinner. People whose day jobs are demanding and draining, fulfilling and anchoring, or some combination thereof. People who are navigating family dynamics with siblings and spouses and aging parents. People who are raising children or looking around an empty nest wondering how it went by so fast and now what. People with bills to pay and health issues to contend with and a stack of unread books on the night table.

Many of us who are writers simply love writing and cannot imagine life for long without the blank page, without the solitude of the writing process, without the journal or the iPhone notes or the pen and back of the envelope snatched from the glove compartment to grab a fly-by poem at a rest stop on the interstate.

There are as many ways to be a writer as there are ways to be a person.

When it comes to life according to someone else, be that “someone” an authority figure from your past, society at large, or a vicious inner critic, what rules have you come to believe, consciously or not, about being a writer and who gets to claim such an identity? Ironically, the very word “authority” contains “author.” What if you could be the authority about your own writing?

It’s not a new conversation, but it’s evergreen in its relevance to the creative process. Why? Because a rigid definition of what constitutes “real” writing keeps you from exploring what could be possible in your writing if you allowed yourself room to be totally imperfect.

Permission to suck is as close to a magic bullet as I’ve ever encountered — and I don’t really believe in magic bullets. What I do believe in is showing up, day after day or at least some of the time, to play with words. Sometimes this feels awful and cringe-y. It’s tempting to select all and delete without saving, or rip the page out of the notebook and toss it in the recycling bin.

I get it.

When I think of friends and colleagues who are authors – commercially successful, published authors, with advances and publishing contracts and agents and the whole megillah – I know they weren’t born that way. Well, they may have been born to write. But the “success” part of the equation is the part of the iceberg visible to the naked eye. Beneath the books is a mountain of uncelebrated hours, shitty drafts, abandoned ideas, unfinished projects, questions, conversations, doubts, and uncertainties.

There may also be something else at work: Commitment. And not allowing society’s prescription for success to define what gets written, what gets tossed, and what ultimately gets shared with the wider world. Believing in your voice isn’t a one-time thing. It happens gradually, as a result of working alongside whatever tells you to give it up already.

Often, when you hear about that best-selling debut novel, what you don’t hear about are the 15 unpublished novels that came before it. If publishing is a priority for you, you will plug away at it and it will happen. I really believe this. And if it’s not, or if it’s simply lower on the list of things that matter most, that doesn’t make you less of a writer.

Something begins to shift the moment we loosen the reigns and declare, “I am a person who writes. I am a writer.” And this is the crux of the matter: A writer is a person who writes, and not all writers must be authors.

Writing can infuse other fields of work. It can be oriented towards personal growth, political commentary, or a prolific imagination that imagines entirely different realities and brings them to life. It can be a practice that reminds you who you are. It can be a form of communication with yourself and with the people you love most or relate to least. It can be something you work at or something you do for pure pleasure.

Your writing life can change over time. It can ebb and flow. Sometimes, it might feel Sisyphean in its effort. Other times, the words might pour out of you, like rain from the sky through the vessel of you.

What it doesn’t have to be is torture.

And if writing is torture for you, consider what rules you’re agreeing to. Whose are they? Where did they come from? What would be possible without them?

When it comes to creativity, a little permission can go a long way. Once you relax the expectations of what being a writer must look like, what the results should be, and what counts as “real,” you might start to find that it’s actually not so torturous after all. It might even be… fun.

Imagine that.

* * *

Want to end the year revisiting what it means to be a writer? Celebrate the return of the light during my 2-week online writing group, What If You Knew, December 11-22. As a holiday gift and gesture of my appreciation for this writing life, I’m offering a 25% discount! Register here.

Rose

6X6: Just Write… Coming in January 2018!


A couple of months ago, I announced a new group called Shitty First Drafts.

Soon thereafter, I realized I didn’t have a clear enough vision yet for how it would be different from my other groups, so I decided to give it some time to gestate. I pulled it from my website, not knowing whether I’d resurrect, transform, or scrap it.

Soon, it became clear what the problem was. The problem was what the problem so often is: I was trying too hard.

Something similar happened two years ago, when an idea that began as exciting grew increasingly unwieldy the more I worked on it. I reached out to a trusted writer and teacher for some perspective. Our conversation circled around one of my favorite questions: Where is there ease? 

A 12-week group called “Creative Ease” emerged from that shift, which eventually morphed into Jewels on the Path, one of my cornerstone groups.

Some ideas come fast and furious, sprung like Athena whole and complete, and I often take what one of my sisters affectionately calls a “shoot, ready, aim” approach to putting things out there. I trust the idea and then dive into the details, rather than the other way around. I love the playfulness and trust this entails.

But it doesn’t always work.

Shitty First Drafts, in its original inception, didn’t quite work. The format of the group was too close to other things I already offer, and I couldn’t for the life of me articulate who it was for or what would make it special.

Until it hit me: The name of this program won’t be Shitty First Drafts, a phrase made famous by Anne Lamott. It will be something even simpler. Ready for it?

JUST WRITE.

That’s right. Just that. Six weeks of just writing. Showing up once a week to put your pen to paper, to start and keep going, to let your words show up on the page and your voice take up room in space. To connect with others in an intimate setting, where we are all in it together.

How will it work?

  1. We’ll gather via Zoom (download here) and spend 30 minutes writing. There may be a reading or prompt to start us off, but the purpose of this time is to sit down and get words on the page.
  2. Following the writing period, each participant will have 15 minutes to read their words out loud and receive comments and feedback from the group.
  3. Each participant will be assigned a week to be the Featured Writer. She’ll send out a piece in advance for the rest of us to read, and have our undivided attention for 20 minutes of workshop-style discussion about her work, including addressing any specific feedback requests.
  4. Our time will conclude with each writers stating an intention or writing goal for the coming week. Writers may choose to continue with one piece of writing or to generate new material — the choice is yours, the time is yours.
  5. Two  40-minute coaching calls . We can use these to talk about specific pieces of writing, to brainstorm and bounce around ideas, and to address any challenges your faces and ways forward.

Why so simple?

Because sometimes all we need is the loosest of containers, the gentlest accountability, the fewest bells and the quietest whistles. At the end of the day — which is when this group will occur — it’s ultimately about showing up, sitting down, and just writing. Shitty first drafts and perhaps more polished drafts will follow, or not. The words you discover might be seeds of longer pieces, fragments of dreams, freewrites you’ll discard completely, or something else altogether. One of the only things I know for sure about the writing process is this: Writing begets writing. And having a small, supportive community of listeners and witnesses creates some mighty magic.

What else is included in the cost?

In addition to 2.5 hours per week together as a group, of both silent writing time and group sharing and discussion, you’ll schedule two 40-minute calls with me. We can use this time to focus on specific pieces of writing, to tease out where you get blocked, and to play with ways to continue to go deeper into your own work. There’s no specific agenda for our calls; this is your time, and a chance to talk about whatever’s going on for you in writing + life.

Will the calls be recorded?

The calls will be recorded. We will have a secret Facebook group for the express purpose of sharing these, in case you miss one and/or simply want to go back to listen to comments on your work again. The Facebook group will also be a place to share encouragement and support throughout the week.

Who should join:

Anyone who wants to produce more pages but finds that perfectionism and procrastination interfere with progress. This group is open to all gender identities and expressions as well as to all genres, though creative nonfiction and personal essay will likely comprise most of the writing. No previous experience in writing groups necessary. This group is also totally compatible with any of Jena’s other writing groups.

Do I need a particular project?

No, though it’s also fine if you do.

Risks and possible side-effects:

Heightened self-awareness, greater curiosity and sense of inquiry, deepening sense of trust in your own quirky and wondrous creative process, and increased willingness to keep going in the face of not knowing may all arise as secondary byproducts of this group.

Can I sign up for the calls and not the coaching?

Not for this group. In order to ensure a high level of participation and commitment, everyone in the Just Write groups will be working with me privately in addition to meeting with the group. If you’re interested in a super supportive, long-term (12 week) accountability group, check out Jewels on the Path. Or drop me a line and we can discuss what would be a good fit.

Dates + Times:

Two sections will kick off the new year:

Tuesdays, 1:00-3:30PM EST: January 16, 23, 30, February 6 , 13, 27 (3 remaining spots)
OR
Thursdays: , 5:30-8:00PM EST: January 18, 25, February 8, 15, March 1 (6 spots)

please note there will be no groups on 2/20 and 2/22 

Cost:

$419

Register + Payment:

Registration deadline is Friday, January 5, 2018.

Reserve your spot today with a non-refundable $99 deposit. You will be automatically billed for two additional installments of $160, two and four weeks after registering. Or use the “Buy Now” button below to pay in full.

Don’t forget to send me a note telling me which group you’d like to join (Tuesdays or Thursdays).


Payment Plan
Number of payments 3
No. Due* Amount
1 At checkout $99.00 USD
2 after 2 weeks $160.00 USD
3 after 4 weeks $160.00 USD
Total $419.00 USD
* We calculate payments from the date of checkout.
Sign up for

OR pay in full: 

Rose

Writing in Groups: Frequently Asked Questions


Over the course of leading many flavors of writing groups, certain questions tend to come up from participants. Here are a handful of those.

How do I comment on people’s writing?

From the gut. From the heart. The same way you write. Maybe there was a passage or an image that startled you or shot tears to your eyes, made you laugh or gasp or brought your hand to your mouth (or forehead!). Maybe you found yourself at a loss for words but deeply moved. Maybe the writing evoked a memory or elicited a question for you. Inner critics *love* messing with us when it comes to commenting on other people’s writing. You have to be clever, they tell us. And smart and insightful and most of all, helpful. And so instead of sharing what we fear might be too simple, we shut down and say nothing. Don’t let your inner critic drive the bus. Comment intuitively and trust your responses.

What if I offend someone?

A closed writing group is a place to practice being bold and surviving the discomfort of sharing something that takes you to more honest places in your writing. Running the risk of offending someone is often a corollary to writing without self-censor (or self-censure). While posting hateful content of any kind is unacceptable, if you’re writing your own truths and someone is offended, that’s on them to sit with and, if they choose, name. But if we only share what we hope will make readers feel good, we run an even greater risk of letting fear win (not to mention the likelihood of lackluster writing).

I’m all over the place. How will I know what to write?

One of the wonderful things about freewriting is that we can start anywhere. One of the best places I’ve found to start is right here. Literally right here and now. Over the years, I would not be surprised if 50% of everything I’ve ever written begins with the words, “I am sitting…” Locating ourselves in space and time gives us a point of entry, and from there — if we keep the pen moving — we will meander and discover what else awaits us. Knowing is not a prerequisite for writing practice; it’s one of its most powerful byproducts. Be willing not to know and your trust of the process — and yourself — will naturally deepen.

I’m afraid I won’t commit.

As soon as we change the rigid rules about what “counts,” the question of commitment can start to shift. These rules tend to be excuses, and excuses are usually fears in disguise. Take a look at the fears underlying your resistance to writing (I won’t stick with it, my writing will suck, I’m not a real writer because… I always/I never…, I’m way out of my league, what if _____, my family would shit a brick if…). Then spend some time considering some alternative perspectives. What if “committing” to a writing practice meant showing up for even “just” five or ten minutes. What if you gave yourself permission to suck? What if you could write without apology or explanation? What if you knew you could choose how and whether to share your words beyond the safety of a small, supportive group? What if you took a gentle risk and didn’t have to have the next steps all figured in advance?

Bottom line (for today!)

Writing is an intensely personal endeavor and an intimate process. Learning the contours of our own creativity means feeling around in the dark.

One of the beautiful things about writing in a group is that we get to practice doing that together. We do this by starting, by which I mean showing up, stepping in, and seeing what happens. Writing in community — be it in-person, online, or a combination of both — can mean the difference between sticking with it and getting stuck, not only because we are more likely to hold ourselves accountable when other folks are involved, but also become we encourage each other along the way. Others see things in our writing — and in us — that we are too close to to notice. We experience firsthand that we are not as alone — or as wacky — as we think.

Margaret Mead’s words come to mind: “Always remember that you are absolutely unique. Just like everybody else.”

Have questions about writing that I don’t address here? Leave a comment or give me a holler.

Rose

Fall 2017: What’s on the Radar for Your Writing + Life?

Picture this: You’ve been circling around for some time now, and feel ready to tune into air traffic control for the best place to land your words on a page. Maybe you’re a bit nervous and could use some reassurance that indeed, you can do this.

Below, you’ll find several landing strips of varying lengths. What they all have in common is this: Fierce encouragement and gentle guidance as you steer your aircraft to a safe landing. 

We may write by ourselves, but we get to land together and there are so many ways to do just that! Have a look at what’s on the radar this fall, and know that you belong on this sacred ground of the writing life.


The Short + Sweet Landing Pad

Two-week online writing groups are perfect for anyone who wants to begin or reboot a writing practice. With a new prompt each morning and by setting a timer for 10 minutes a day, we give ourselves carte blanche permission to write “the worst Junk in America” (Natalie Goldberg’s timeless words). Kick the inner critic out of the cockpit and remember why you love writing in the first place.

Next group: “Over Our Heads” | November 6-17 | $99 | Register
Size limit: 12

Ten-week online writing groups are similar to the above, but at a slower pace. Prompts land in your inbox on Monday mornings, and you have all week to share your words with your writing comrades.

Next group: “Over Our Heads” | November 27, 2017 – February 2, 2018 | $108 | Register
Size Limit: 12


The Long and Leisurely Landing, for Women Only

Jewels on the Path is designed for a small number of women who want to delve more deeply into a particular writing project or goal. Whether it’s resurrecting a blog or making steady progress on a manuscript, this group will provide a steady rhythm for your work to unfold and provide accountability and friendship as you deepen your own creative process. Women writers only.

WINTER 2018 : 
Preregistration is open for the Winter 2018 Session (January 8-March 30): Three options: $126/$249/$449 per month | Preregister
Size limit: 12


The Water Landing

Dive Into Poetry is a quarterly pool party where lapsed poets, experienced poets, and poetry lovers get to convene in a fabulously inclusive and playful space for an entire month of practice. Now in its seventh season, this group remains an all-time favorite gathering of old and new friends.

Next group: January 1-31, 2018 | $31 /$62 /$93 | Register
No size limit


The Room of Your Own Landing

The Unfurl Retreat returns to Amherst, MA June 22-24, 2018. Details Coming Soon!


The Real-Time Landing Strip

JUST WRITE  is a 6-week, 6-person weekly Zoom-based group where we will write together and comment on each other’s words in real time.  Two private coaching calls and an intimate setting all make this a particularly powerful chance to chip away at perfectionism and get some drafts written that might otherwise never see the page. 

DATES and  Registration page coming soon | Contact me to to be notified 

Size limit: 6


Year-Round Ways to Keep Your Writing + Life Grounded

Get Your Muse On is a year-round private community where we love the shit out of each other. In this secret Facebook group, each week includes intention setting, exclusive writing prompts, and invitations to reflect on what we’re learning as we go.

Always open | $25 monthly or $250 annually| Register
No size limit

Private Coaching | From a single session to an ongoing relationship entirely devoted to your growth as a human who writes, see what opens up when you make time to explore your fears, ideas, goals, and stumbling blocks.

Packages and a la carte options | Sign up here

Manuscript development + editing | If you have a manuscript-in-progress and want a partner who will bring fresh eyes, perspective, suggestions, and edits to help you bring it to completion, I’d love to hear from you. I have a successful track record of working with authors who’ve self-published collections of poems, creative nonfiction, and novels, and generally only work with one editing client at a time. Let’s discuss your project and see if it’s a good fit.

Cost customized to each client | Contact me to schedule a time to chat!


A Note About Money + Mutual Responsibility

Please note that if money is a barrier, I make every effort to work with you to make all of this accessible no matter your income bracket or current financial situation. Just ask me and we’ll see what we can work out together.

If you would like to contribute to the ongoing Community Writers Fund, which makes it possible for me to offer fully-funded spots to lower-income individuals for whom groups like these are unaffordable, you can do so here.

In addition, every time someone signs up for any of my groups, I donate an item to a local food bank.


“Thank you for the compassionate, caring and safe space you hold here for me, for all of us here, to tell the hard stories. I know it’s how I will grow.”~ Juli Lyons

“Never have I felt so befriended: by the page, by a group of fellow writers, by a teacher and coach. Jena provides a lovely mixture of inspiration, invitation, and validation. And then she throws in something else, something wonderful and ineffable which I can only describe as magic.” ~ Katrina Kenison